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Post by Mathias on Jul 22, 2010 17:01:28 GMT 1
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Post by magnficentfan on Jul 22, 2010 22:22:32 GMT 1
First of all - that article got me excited all over again! Although I knew that the head of Warner was supporting Sharon, this article makes it look like he's basically her A&R man - which is an excellent sign. And it seems as though he really believes in her and in what she's bringing to the table. Fantastic news. Now, something that I find rather interesting... that article mentions non-originals EGTLS & the piece done with Jeff Beck. Yet it doesn't mention STB... So I wonder if that's off of the album and being used as a B-side or if that'll be a bonus track for some versions of the album. Just from listening to the clip that's on the website and Sharon's live performances of the song - it's simply stunning. And the clip is still available on the website under the heading "from the upcoming album." So I'd be surprised if it's not on the album... but it's still curious that it wasn't mentioned. Maybe I'm reading too much into that. -- Marie
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Post by Mathias on Jul 22, 2010 23:28:49 GMT 1
Maybe ask Sharon on Twitter? It would be a waste for such a gem to go to waste! As the song was a possible single, I don't think it's left off the album...
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Post by DazedOblivion on Jul 23, 2010 2:13:56 GMT 1
Wow! I have to pinch myself. Is this not a dream but reality? The media always gets something wrong: it's RAY LaMontagne! ( www.raylamontagne.com/) He's quite popular amongst other artists that I follow.
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Post by Nyoman on Jul 23, 2010 8:22:01 GMT 1
I much much prefer that STB to be her next single than EGLS, as both song is in the same categories (both are covers, slow, mellow, etc). But the remix version of EGLS still could change my mind if it grab me well.
Nice to see her support from the label seems promising. Congrats, Sharon! ;D
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Post by Mathias on Jul 23, 2010 9:37:51 GMT 1
I much much prefer that STB to be her next single than EGLS, as both song is in the same categories (both are covers, slow, mellow, etc). But the remix version of EGLS still could change my mind if it grab me well. Was about to say.... EGLS is getting an 'up-tempo' make-over, which would make it different. While I do agree STB is a great song, if released as a single, it should be done properly... so either in the winter or as a soundtrack, etc. The song is beautiful, but it only makes a chance if something is extra is done with the release..
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Post by magnficentfan on Jul 23, 2010 19:55:24 GMT 1
Maybe ask Sharon on Twitter? Good idea. If one of us catches her on, we should ask. -- Marie
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Post by magnficentfan on Jul 23, 2010 20:04:06 GMT 1
Wow! I have to pinch myself. Is this not a dream but reality? The media always gets something wrong: it's RAY LaMontagne! ( www.raylamontagne.com/) He's quite popular amongst other artists that I follow. LOL, yeah, I caught that too. You would think SOMEONE would take the time to proofread a professionaly written article! -- Marie
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Post by cw on Jul 24, 2010 11:44:32 GMT 1
A few observations & thoughts. One small item should be clarified. Christian Tattersfield is the CEO of Warner UK nit Warner Music (the parent entity). Nonwithstanding that, if he has truly given his backing to Sharon's project (rather than just publicity speak) then this certainly is a big kick forward. The Corrs were extraordinarily fortunate to get the backing of Jason Flom who was one of the legendary A&R men in the history of recorded music. It is probably the fact that Tattersfield's background was A&R that has clinched the deal given this album is NOT targetted at the Top 40 nor is Sharon an established solo artist. The fact that Warner UK is handling the worlwide distribution augurs well for Warner's international divisions being "on their toes". Noticed a discussion over at Shaz forum where some expressed a concern that Warner may take over Sharon's existing communication arms especially her website. I could be proven wrong, but I suspect this is unlikely to happen. If anything, Sharon's proficiency in engaging the socnets & her communications strategy probably were strong selling points in clinching Warner's support as it demonstrated "here is an artist who is backing themselves & committed to selling her product". Most likely they may create an "artist's page" and/or a microsite for the album with clear links to Sharon's own site. Have mentioned before about the need for Sharon to get airtime on both radio & TV, and in many cases the latter may be even more important in getting across the message. Breakfast TV & chat shows are obviously key targets but fans .... and local Warner divisions should look to some "left field" possibilities for Sharon to make an appearance. The BBC in the UK has the famous "Top Gear" motoring (and let's face it comedy) program which is also broadcast in many international markets. Each episode has a segment "Star In A Reasonably Priced Car" where a guest celebrity (after some training from the show's tame racing driver, The Stig) sets a laptime around the Top Gear test track. The guest is then interviewed on the show, embarassed or otherwise by footage of the lap or any prangs in training before finding out their time. Sharon's charm & capacity to laugh at herself would go over very well & the exposure would be valuable both in UK & internationally. I'm not sure if such shows exist in other markets but Australian TV has 2 music based quiz programs that are broadcast on nationwide networks. First is Rockwiz on the SBS network www.sbs.com.au/rockwiz/. The format is 2 teams of 3 (2 audience members + musical guest). Contestants are given clues to guess the identity of each guest who then perform a solo number. The program closes with a duet by both guests. It can be rowdy (shot live from a Melbourne pub), more than a little anarchic & occ hit n miss with a "dud" guest. Whilst you wouldn't think Shaz would be an automatic fit for this show, domestic & international guests from a wide range of genres have appeared & her wide musical gamut + her wit would most likely prove a real winner. The other is "Spicks And Specks" www.abc.net.au/tv/spicksandspecks/ on the ABC (natl public broadcaster). This show (named after the BeeGees first hit) was apparently modelled on a BBC show "Never Mind The Buzzcocks". It has a similar team vs team format but is less rowdy & live musical numbers are not part of EVERY show. Still, it would provide nation-wide exposure in a market where the Corrs sold well. Could she get on any of these shows ... no guarantees. Without a major label spruiking, no chance but with a major label "shopping her" who knows. Top Gear would be an amazing boost if it could happen. Re the Aussie suggestions; I would at least suggest that Team Shaz and especially Warner Oz investigate these options. YT clips from both shows are around. Suggestions for other markets ?
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Post by magnficentfan on Jul 24, 2010 20:20:31 GMT 1
It is probably the fact that Tattersfield's background was A&R that has clinched the deal given this album is NOT targetted at the Top 40 nor is Sharon an established solo artist. Wombat, is that an educated guess that Sharon's album isn't being targetted at Top 40, or was that stated somewhere? Personally, I think that's a fantastic move, if it's the case. It seemed to me, at least here in the States during the In Blue era, that the Corrs were trying to target Top 40 when, IMHO, they should have been spending more time & effort on Adult Top 40 or AAA. Noticed a discussion over at Shaz forum where some expressed a concern that Warner may take over Sharon's existing communication arms especially her website. I could be proven wrong, but I suspect this is unlikely to happen. If anything, Sharon's proficiency in engaging the socnets & her communications strategy probably were strong selling points in clinching Warner's support as it demonstrated "here is an artist who is backing themselves & committed to selling her product". Yeah, I added my 2 cents. But you make a very good point about Sharon's communication with her fans being a selling point. Hopefully she still finds a bit of time to engage with the fans, but I think we all understand if her free time becomes greatly diminished. The BBC in the UK has the famous "Top Gear" motoring (and let's face it comedy) program which is also broadcast in many international markets. I'm not sure if such shows exist in other markets but Australian TV has 2 music based quiz programs that are broadcast on nationwide networks. Wasn't Andrea featured on one of those shows? She didn't drive, but where she was talking about cars? Anyway.... that sounds hysterical. And if Sharon was game for it, I think it'd be great. I'm not sure if that airs over here, but if it's on the BBC, it may be on BBC America. I don't have anything to add as far as TV spots go, but for radio... I know I've said this before, but when Sharon comes Stateside and ends up in NYC, I'd love to see her perform and be interviewed on 101.9 RXP. Now, RXP isn't the most obvious platform for exposure, but it WILL get her exposure from another audience who may not be familiar with her. RXP is a Rock station - The Rock Experience. But they focus on rock music primarily from the 80s through today. Looking at the playlist of the last songs played.... you've got Pearl Jam, Gaslight Anthem, Soundgarden, Jane's Addiction, U2, Spoon, Black Crowes, David Bowie, Black Keys, Incubus, Muse, Blind Melon, New Order, Civil Twilight [probably the only band from RSA to get airplay around here!], Nirvana, The Cars, Phoenix, Smashing Pumpkins and Billy Idol. While that playlist may not scream "add Sharon Corr!" they interview and allow performances from artists of different genres. I remember one time hearing Sara Watkins from Nickel Creek (bluegrass player) come and work her solo material. On the website, there was a link to an interivew (and I think performance) from Brad Paisley (country singer). The morning show hosts are Matt Pinfield (former VJ on MTV & music lover extrodinaire) and Leslie Fram (nominated for induction into the National Radio Hall of Fame). If Sharon was to go on that station - especially since her single is a cover of an 80s track - I'm sure she could perform that and STB, talk about why she was covering those songs, and talk up her collaborations with Jeff Beck, the late Stuart Cable, and working with Bono, Ronnie Wood, and Rod Stewart. I think the potential for something really interesting is there. -- Marie :-)
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Post by cw on Jul 25, 2010 2:13:06 GMT 1
Marie, 1. Purely my surmise (educated or not). In essence, what I was trying to put across is that many record labels would see this album as being "uncommercial" & shy away from any backing. Therefore, Tatterfield's background as an A&R man as against being "a beancounter" may well have been a key element in clinching the Warner backing. 2. Definitely saw yr comments. I'm of similar mind to "minnieswirl" (BTW welcome to CFB Minnie, we welcome yr opinions & contributions). I would see Warner hopefully linking to Sharon's existing sites rather than assuming control. One definitely hopes that Sharon will continue to communicate with we peasants ; for feedback if nothing else .... or advise on dealing with HIN . 3. Radio will be a vital medium but may prove to be the most "elusive" or tricky. Definitely agree that the Adult Contemporary market or indeed Classic Rock are most likely to be the most fruitful. She is an extraordinarily good media performer, and her wit .... plus abundance of stories (collaborations/Andrea's most fabulous foul-ups /Jim's lamentable personal hygeine ;D..) would be "gold". It's just being able to get any airtime. Have no recollection of Pygmy on Top Gear. Most likely, it would be a real long-shot to get her on the show but the exposure both in the UK & internationally would be amazing. Again, the charm factor has the potential to be a "tour de force".
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Post by cw on Jul 25, 2010 2:27:48 GMT 1
Sharon's devoted legal advisor ... and packmule just Tweeted the following update:
"@sharon_corr been permitted to shoot the video for her new single at the Alhambra!! Understand permission not given before but they luv S!"
For those unfamiliar, the Alhambra is a famous Moorish palace in the city of Granada & one of Spain's leading tourist attractions (also a UNESCO World Heritage site). Whilst those involved no doubt DO love Sharon, a wider view may be taken that this could be the first tangible evidence of Warner support playing it's part. This involves major $$$$$
And there's more !! A translation of another of his Tweets from Spanish tells us:
"Spain is hot, and we are now going to the hotel Melia Don Pepe to shoot a video for the BBC !"
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Post by DazedOblivion on Jul 25, 2010 15:14:21 GMT 1
(CW, I was looking all over for Minnie's post that you agree with, but then noticed she has posted here yet. Welcome, Minnie. ) The granting of the use of The Alhambra for the video shoot is wonderful news - the right to use the location for filming is guarded. Not only will the images in the video be aesthetically beautiful, but the place has the reputation of being a place where religious tolerance was practiced and, as the story goes, Muslims, Jews and Christians co-existed without bloodshed. Therefore, it is an apt backdrop for the lyrics to "Everybody's Got to Learn Sometime" about changing your heart that likely have a broad societal meaning to Sharon after performing it with Zucchero and Brian May (of Queen) at the 46664 event in Tromsø, Norway in June 2005. In the U.S., I think that satellite radio should not be overlooked. Perhaps Sharon's music could fit on SIRIUS XM's adult album rock channel called The Spectrum on XM 45 and Sirius 18. www.xmradio.com/onxm/full-channel-listing.xmcwww.sirius.com/channelguideThere is a program on The Spectrum called "Celtic Crush" hosted by Larry Kirwan. "Celtic Crush" is described as follows: Celtic Crush travels among diverse music, from old to the very new. Ireland native Larry Kirwan has firsthand experience throughout Ireland and America as a member of the premier Celtic rock band Black 47. Being an author as well as a performer adds to Larry's unique abilities as a poetic host. Larry draws from his private record collection of classic Irish music for this three hour soulful mix of traditional and contemporary music from the Celtic countries and England.I don't know if he's more in for bands like Flogging Molly than the Corrs (recent playlist HERE). P.S. I'm assuming the HIN on Twitter must have meant "weep like a woman" instead of "wee like a woman" - erm, two very different mental images!
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Post by magnficentfan on Jul 25, 2010 18:55:30 GMT 1
Marie, 1. Purely my surmise (educated or not). In essence, what I was trying to put across is that many record labels would see this album as being "uncommercial" & shy away from any backing. Therefore, Tatterfield's background as an A&R man as against being "a beancounter" may well have been a key element in clinching the Warner backing. Gotcha; I was thinking along the same lines. Just wanted to make sure I hadn't missed something! Have no recollection of Pygmy on Top Gear. You're right; I just looked it up. I'm not sure of which show I was thinking of, but it wasn't that one. -- Marie
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Post by magnficentfan on Jul 25, 2010 19:05:58 GMT 1
Not only will the images in the video be aesthetically beautiful, but the place has the reputation of being a place where religious tolerance was practiced and, as the story goes, Muslims, Jews and Christians co-existed without bloodshed. Therefore, it is an apt backdrop for the lyrics to "Everybody's Got to Learn Sometime" about changing your heart that likely have a broad societal meaning to Sharon after performing it with Zucchero and Brian May (of Queen) at the 46664 event in Tromsø, Norway in June 2005. Interesting backstory, Steve. Thanks for posting. You're right - that kind of history fits right in with the song. Now you've got me thinking what the video treatment for the song actually is - is it more than Sharon looking stunning and singing and playing the violin? Or is there a bit of other imagry and a storyline involving acceptance? I also wonder if, while out promoting the single, Sharon brings this backstory up so that whomever is watching / listening gets the connection. I had totally forgotten about Satellite Radio. The Spectrum is essentially Triple A format, which is exactly what I was saying that should be targeted. BTW, thanks for posting the channel number; now I know what to tune to when I get in my dad's car. I agree 100% - that's the way to go for Sharon. That or country - or both - depending on what the album essentially sounds like. There is a program on The Spectrum called "Celtic Crush" hosted by Larry Kirwan. "Celtic Crush" is described as follows: Celtic Crush travels among diverse music, from old to the very new. Ireland native Larry Kirwan has firsthand experience throughout Ireland and America as a member of the premier Celtic rock band Black 47. Being an author as well as a performer adds to Larry's unique abilities as a poetic host. Larry draws from his private record collection of classic Irish music for this three hour soulful mix of traditional and contemporary music from the Celtic countries and England.I don't know if he's more in for bands like Flogging Molly than the Corrs (recent playlist HERE). It looks like he'll play pretty much anything, seeing that the most recent playlist included Flogging Molly & Simon & Garfunkel! But that's something else for Team Sharon to look into. -- Marie
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